Under Permanent Construction

If all goes well, you shouldn't notice anything (maybe things will be marginally faster), but I've been doing some behind the scenes work to a) learn a bit more about some technologies, b) make my site use a bit less memory (so I can do other cool stuff, and c) make the site hopefully a bit more stable and speedy.

Mostly so I can remember what I did later, here's sort of an inventory of some of the technologies I messed around with:

  • Memcached - for WordPress caching and for caching the data for my Points Created page
  • nginx - simply as a proxy in front of Apache. At some point, I'll mess around with using it to handle loading some of the static assets of the site
  • perlbrew - allows me to run some newer perl stuff without having to much around with the system perl (so I can start to play with something like Mojolicious)

I'm in the process of building out a new site for 2013, mostly because I'm bored with the current one, but also because it's good for me to actually try to do some modernish stuff so my skills don't atrophy (especially if I'm only doing certain types of stuff at work). So, yeah, if you find stuff broken, let me know.

Backups with Arq and Amazon Glacier

It's good practice to have a few different levels of backups: your local backup (for me, that's via Apple Time Machine; for you, that could just be the backup you take every few weeks—or months—to your USB drive); an offsite backup (if you have two USB drives, you might leave one at the office and rotate your backup drives); and an online backup (something like CrashPlan or Carbonite, where some software uploads files in the background to "the cloud").

The idea behind this is that, if something really bad happened and you needed a backup but it was destroyed, you'd have your offsite backup; and if something really really bad happened, you'd have your online backup. You'd always be able to get back to something reasonably recent.

Until recently, I've not quite followed those best practices. I do have my daily backup (Time Machine), and a weekly cloned backup, but I didn't have an online backup, for a couple of reasons. First, they can get pricy (generally between $50 and $100 annually, though you might argue that's a small price to pay for security). I always justified it that a) I had really important stuff on Dropbox, and b) other important stuff (pictures, music, etc.) were synced to my other desktop computer and synced to Apple's servers (iTunes Match).

A few months ago, Amazon announced Amazon Glacier, which is their super high reliability storage, but at a really low price because it's slooooooow (get it, Glacier). You can store about 100GB of data for $1 or so per month.

But there's a catch. The idea is that you should not need to download the data very often, so pulling the data back down is where it gets expensive.

I figured, though, that this would be worth it. The Glacier backup is my super emergency backup. I have multiple other copies of my data, if something really really bad happens, I'd be willing to pay the price to get my data back

Paired with a really nice piece of software called Arq, which manages the uploads to Amazon, the encryption, and the tracking of which files need to be updated/uploaded to Amazon, I set out to get myself a nice online backup.

It took almost a week to get the whole thing uploaded (I was backing up somewhere north of 100GB of data). Once uploaded, it takes Arq about 10 minutes each day to figure out what it needs to update.

Total cost to me? $1.75/month.

Let's assume I end up averaging about $2/month. In year one, that's $30 for Arq, and $24 for Amazon storage, for a total of $54. That's almost exactly what an equivalent CrashPlan or Carbonite account would cost. But in year two, when it only costs me $24, it'll be less than half of what those accounts cost.

Now, really all I'm doing is hedging my bets. I'm assuming that I won't need to restore my data any time soon, and I'm banking that money. If you think you're going to need to restore files all the time, CrashPlan or Carbonite might be better for you. But if you think you won't need to restore very often at all, then this solution might be the right option for you.

If I do have to restore… that's when things get interesting. Restoring 120GB of data over 4 hours from Amazon will cost about $230. Over 12 hours, about $90. Over 24 hours, about $50.

So, if I needed to restore my entire computer from my Glacier backup, I could do it for $50 if I was willing to let it run for a day (and for $30 if I was willing to let it run for two days).

That seems like a reasonable risk to me. In most cases, if I lost some data, I would be able to go to a number of local backups to get it (cost to me: zero). In the event I lost stuff catastrophically, paying between $50 and $200 to get it back seems entirely reasonable. Your particular use case/risk tolerance may change that equation for you.

Top 10 of 2012: #1 Beach House - Myth

Beach House - "Myth"


I don't know why. I'm not a huge Beach House person. I've listened to all of Bloom a few times, and it never clicked. But each and every time, I'd get to "Myth" and put the song on repeat a few times.

The song was added to my iTunes library in mid-May. It's been played, as of now, 52 times (53 times, in a couple of minutes). I don't know why I love it.

I'm not sure if it's the repetition. I'm not sure if it's the fuzziness of the song, how nothing sounds distinct. You can't quite hear the lyrics clearly through the dubbing or echo or whatever effect there is. Maybe it's the beauty of the chorus that sort of breaks out of the song. I don't know what it is.

Sometimes you're not sure why you love something, you just do.

Last Whisky Reviews - Glenfarclas 30 / Glendronach 15 / Master of Malt 50

More quick (i.e. just a couple of sentences) reviews of the last three whiskies in the advent calendar.

It really was quite the experience to go through a whisky (or, sometimes, a whiskey) a day. It was a fantastic gift from my girlfriend. I tried a bunch of whiskies I wouldn't have otherwise, and certainly refined my whisky palette (or at least I hope I did).

But you won't be able to tell from these reviews, because these are for speed, not for thoroughness. Sorry, but football's on.

Glenfarclas 30 year

Glenfarclas 30 Year

Awesome, awesome, awesome. A bunch of us splurged on a Macallan 30 year at work ($80 gets you two drams). I think I liked this better. It's sweet, but not overly sweet. Vanilla, some fruitiness, and great flavor as you sip. And just enough smoke to make it feel like a scotch.

I loved it.

Glendronach 15 Year

Glendronach 15 Year Revival

This was good, but might have been too sweet for me. Like a lot of whiskies aged in sherry or other wine casks, if they're not balanced with other flavors, they can run on the sweet side.

I would love to try this again; it might be a drink that takes more than one dram to discover.

Master of Malt 50 year

Master of Malt 50 Year Speyside

The first Scotch I've ever drank that's older than I am. It's a speyside, which means it's bright and citrusy, but it's just really nicely balanced. It's got a bit of everything, including some smoke to temper the bright notes. Another great, great drink.

And that concludes the whole calendar.

I'm looking forward to trying some more whiskies in 2013.

Top 10 of 2012: #2 A.C. Newman - I'm Not Talking

A.C. Newman - "I'm Not Talking"


Shut Down The Streets is an album that takes a while to grow on you. The big A.C. Newman/New Pornographers song is "Encyclopedia of Classic Takedowns". The rest of the album is, I'd say, more mellow than his previous albums. It's '70s AM radio stuff, done modern. And it's really, really great.

The whole album is about birth and death and loss and all of those experiences you have as you start to get older. "I'm Not Taking" is just a quiet song, long by Newman's standards (coming in at a robust four and a half minutes), but exquisitely crafted. I'm guessing there's 7 or 8 different instruments, just on this song, some only used to punctuate a few measures, like the sharp tambourine that is very much in the front of the mix.

It's already a pretty, melancholy song when the song hits its third minute and we get the call and response

No, I've never been close, I've never been close … but I've never been far away

You'll be hooked. I was. There's probably no better pop craftsman than A.C. Newman (between his solo albums and the New Pornographers), and this him at the top of his game.

A.C. Newman

Top 10 of 2012: #3 Macklemore & Ryan Lewis - Thrift Shop

Macklemore & Ryan Lewis - "Thrift Shop"


This is kind of the year of Macklemore & Ryan Lewis, eh? They blow up behind "Same Love", which I've mentioned before, a strong argument for marriage equality and one of the two biggest songs of the year touching on similar topics (the other being Frank Ocean's "Bad Religion").

They rattle off a huge banger of song in "Can't Hold Us", which could just have easily been sitting in this same spot. "Can't Hold Us" fits the mold of Outkast's "B.O.B" with that beat that just pushes and pushes, filled with stomps, and handclaps, and a bit of piano, and it never stops. Throw it on the end of your runs and you'll finish strong.

But we're not talking about either of those songs, we're talking about "Thrift Shop", which has a great beat that, I guarantee you, will have you bobbing your head. Macklemore's flow is solid, changing pace and cadence, never seeming out of place. All leading into the hook, which you can't sing out loud in public, but you know you sing it out loud in your car.

It's not as deep as "Same Love", or as bouncy as "Can't Hold Us", but I've been singing about popping tags all fall.

Top 10 of 2012: #4 Fiona Apple - Werewolf

Fiona Apple - "Werewolf"


I could liken you to a werewolf the way you left me for dead
But I admit that I provided a full moon

And she's back.

"Werewolf" starts out with just a few piano keys, laid under those lyrics, leading into another couplet about a shark and a bleeding wound. As usual, Fiona Apple has a way to layer contrasting sounds and ideas together into her special sort of genius, which seems to take her seven years or so to wrangle.

It's such a simple song, just piano and sparse drums, laid under this wonderful violent imagery of how powerful (and dangerous) a relationship can be—werewolves, lava, sharks, chemical reactions. All wonderful metaphors, and then the stomach punch—the recognition that it's the fault of both parties. The only way to end the destructive part of the relationship is to simple avoid each other. Take one for the team.

The song is capped off with the voices of screaming children leading into (and underlaying) the final verse. I'm sure the children are just playing, but it eerily sounds like they might be being chased by a werewolf. On this album, Fiona Apple has done a lot with minimal instrumentation. Here, a piano, drums, and some children playing are all that is necessary to build a phenomenal song.


On a side note, this could easily have been "Hot Knife" off the same album, which is just a ridiculously good song that is basically nothing but vocal tracks layered on top of more vocal tracks, all with big huge tympanis banging in the background. Another day, that track would be here.

Top 10 of 2012: #5 Passion Pit - Take a Walk

Passion Pit - "Take a Walk"


It's a song that sounds distinctly Passion Pit for the first few seconds, before bringing in some massive kick drums and cymbals and sounding distinctly un-Passion Pit, except for the signature synths over the top. The rhythm here is propulsive. "Take a Walk" introduces what might be the most straightforward lyrical song that Passion Pit has written, a song about immigrants following the American Dream™, straight into losing your money in the stock market, feigning that you still have that money, and refusing to accept any help the system might offer.

Certainly a timely (and timeless) message and it's a sad story that undercuts a song that is destined to end up on loads of workout mixes for the next couple of years.

Passion Pit (as an extension of Michael Angelakos) might be the band that most easily tiptoes the line between straight up dance music and rock, and "Take a Walk" might be the best example of that.

Top 10 of 2012: #6 Eternal Summers - Millions

Eternal Summers - "Millions"

Back in early June, I was probably in my car driving around to do errands on a weekend, when I listened to my normal weekend listening: KEXP's Music That Matters podcast. This particular podcast was a summer pop podcast, with a bunch of great tracks—Allo Darlin', Langhorne Slim (who nearly made this list), and one song from a band I'd not heard of before: Eternal Summers.

It's such a perfect little garage pop song, coming in at under 3 minutes. Drums and bass kicking up a quick beat, a guitar ripping off a repetitive riff that sticks in your head, and a cello (or violin?) augmenting the sound in the chorus and bridge. Topping it off is Nicole Yun's vocals that just float on top of the song.

I'm a sucker for perfect pop songs. This is a pretty perfect pop song.

Eternal Summers