Hacking NetFlix: “Reuters reports that the new Netflix deal with Showtime withdraws current Showtime originals like Dexter and Californication from streaming, but leaves older shows like Tudors and Sleeper Cell. 

The change, part of a new arrangement, means no ‘Dexter’ or ‘Californication’ episodes from previous seasons will be available on Netflix, as had been the case under the current arrangement which covered the first two seasons of the shows. Episodes of current originals will be on Showtime’s authenticated broadband service, Showtime Anytime.

Instead of introducing the 20+ million Netflix subscribers to past seasons of hit shows to drive interest in subscribing to Showtime, it looks like Showtime joins HBO in realizing that Netflix just might be a competitor.”

Someday, television networks will get it, right? Why would you not want to expose as many people to your show as possible, to get them to then signup for your network (or, for the broadcast networks, to record/watch your network) to stay up-to-date with the latest episodes.

The biggest obstacle to picking up a new television show is fearing you will not understand what is going on. With shows like Lost, Friday Night Lights, etc., the ability to catch up on everything before a new season airs is a godsend. That’s how the girlfriend got caught up on Lost and was able to watch the last couple of season with me, live as they happened. Any TV network that wouldn’t want to take advantage of the opportunity to mint new viewers is destined to end up picking up the scraps left behind by Netflix, Amazon, and Apple.

Or, to paraphrase Sports Night:

Anybody who can’t make money off of television on Netflix should get out of the money-making business

 

I didn’t see quite as many movies in 2010 as I normally would have liked, but I saw a bunch of good ones. Here, in rough order, are my top movies of 2010.

(I should note that there are a bunch of new movies that have come out recently — Black Swan, 127 Hours, The Fighter — that I haven’t seen yet.)

Toy Story 3 — Surprisingly, my favorite movie of the year. If you’re a sap like me, and remotely like the the Toy Story series, you’ll enjoy the movie. It pretty much hits every note it needed to, and addresses the topic of growing up/moving on/leaving things behind with more grace and depth than I think you’d expect from an animated movie. If there was justice in the world, Toy Story 3 would get a Best Picture nomination.

Scott Pilgrim vs. The World — Comics, indie rock, video games, nerds. If you were trying to put together a movie that would pretty much hit my sweet spot, you would put together Scott Pilgrim.

The Social Network — Given its subject matter, a surprisingly tense, well-paced movie. Unsurprisingly, given its writer and director, a well-written, well-shot movie. If you know much about the Facebook story, you need to come into this looking at it as historical fiction. It’s a story — a really good one — based on some truth.

Inception — Visually stunning, incredibly inventive idea, that gets bogged down by one sub-plot too many, and one locale that is just a huge let down after 90 minutes of mind blowing special effects. Chop 15 minutes off of this movie and it would probably move up the list.

Those are the only ones I would call out as being outstanding. I’m guessing over the next few months I’ll add a few more movies to this list. If British mini-series qualify in your mind, add Luther and Sherlock (which you should go out of your way to see) to the list.

 

I’m a Netflix addict. I joined in January of 2004 and since then I’ve rented about 430 movies (so I get through a little more than 1 movie a week). With Netflix’s “Watch Instantly” streaming, I’ve watched a bunch more movies and TV shows that way as well.

And, every time I watch something on Netflix (or in the theater or online or on TV or … wherever), I rate it using Netflix’s scale. Everything gets 1 to 5 stars. Over those same 6.5 years, I’ve rated 1780 tv shows and movies (yeah, I realize I’m a freak).

But one thing has always bugged me: five stars isn’t granular enough. The scale, as it Netflix has it, is basically:

1 star = hated it
2 stars = really didn’t like it
3 stars = liked it
4 stars = really liked it
5 stars = loved it

I’m mostly ok with the ends of the spectrum. I don’t need a lot of gradations between “hated it” and “really didn’t like it”–if I hate something, I’ll probably never watch it again. If I “really didn’t like it”, I’ll probably never watch it again, but maybe I’d watch a scene I liked if it popped up on HBO. Likewise, with the high end: five stars is for something that’s perfect (or almost perfect); 4 stars for something that is really, really good, but maybe not the greatest ever.

It’s in the 3 star range that things get tricky. There are loads and loads of movies that I’ve given 3 stars because I didn’t dislike them enough to be 2 stars, but they weren’t good enough to be 4 stars. So, what I end up with a big huge bucket of movies in the 3 star range. Except not all 3 star movies are created equal.

For instance, just recently I watched Green Zone and The Goods. Green Zone is a pretty good action movie, a bit of a message, but gets pretty heavy-handed towards the end. It’s a good, solid movie. If I had half-stars, it’s probably a 3.5 star movie. I liked it, would watch it again, but it’s not a “great” movie. The Goods had its moments, but I wouldn’t go out of my way to watch it again. I’d like to give it 2.5 stars. Sadly, Netflix doesn’t let me do this. They both get 3 stars, and people thing I’m insane for rating Bridget Jones’ Diary the same as Boy Eats Girl or Shutter Island the same as Semi-Pro.

I threw my ratings into Excel (thanks to a nify script to extract ratings from Netflix’s site), and what you see is a pretty typical bell curve.

netflix_ratings.jpg

It’s a little biased towards the high side of the chart, which is to be expected: I don’t go out of my way to rent movies I don’t like. But, the peak in the middle is a little high, and the left side a little low, since I don’t have a way to differentiate between movies that are ok (the aforementioned “Goods”) and that are pretty good (Green Zone, etc.).

With half-star ratings, I’m pretty certain what you would see is the middle peak brought down significantly, and a bit more gradual rise — a lot more of those 3 star movies become 2.5 star movies, some become 3.5 stars (and likewise, some of the 2s become 2.5s and some of the 4s become 3.5s). As I mentioned, there’d be many fewer movies moving between 1 and 1.5 and 5 and 4.5–there’s already a filter there: I have to really like or really hate something for it to get 1 or 5 stars).

Why do I care? Well, I don’t really. I do think it’d be nice if I could be a bit more accurate. From Netflix’s perspective, I’m not sure they care: five options makes it easier for your everyday Netflix person to rate movies without thinking about it. It probably also makes the suggestion engine a bit easier, since people have to make a decision (it’s like a survey: you get better results when you make people make a choice).

Mostly, I only wanted to explain why I rate crappy movies the same as good movies. I don’t have a choice. (Also, I have weird taste in movies.)

 

Thanks to a little tool called FlixQueue, I’m able to see at a glance that I’ve returned 195 movies to Netflix since I signed up.

The first movie I returned was Underworld, on January 19, 2004. Sure, not the most amazing movie to have at #1, but sometimes you need some cheesy action (2 and 3 were The 25th Hour and Rashomon, slightly more upscale). The last movie I returned was Hustle & Flow on May 31, 2006.

In between I’ve returned 193 other movies for my grand total of 195. Making the math easy, I started in January 2004 and last returned a movie in May 2006, which is 29 months. 195 movies over 29 months is about 6.7 movies per month. Not too bad — I’m on the 3 out/$18 plan, which means I’m at about $2.70/movie. That’s far less than I’d pay at Blockbuster (I think … I haven’t walked into a Blockbuster in over a year), so I think I’m getting my money’s worth.

Over the weekend, since my DVRs are pretty much empty (nothing new on TV), I cleared out the three movies I had out (#196 = Bubble, 197 = The Devil’s Backbone, 198 = All the Real Girls). If all goes well, I should be getting my next 2 or 3 movies on Tuesday. That means that rental #200 will either be Good Night, and Good Luck or Charlie and the Chocolate Factory.

This isn’t really a milestone … but it felt interesting to write about. Plus, given that I’ll get through 200 movies in approximately 29 months, it means I’ll get to the end of my Netflix Queue, assuming I don’t add any more movies, sometime in 2008.

Maybe I should be more selective …

© 2011 That Not So Fresh Feeling Suffusion theme by Sayontan Sinha